“Is anyone among you suffering? Let them pray. Is anyone cheerful? Let them sing.”
~ James 5:13
A few years ago I stumbled upon the blog of Dr. Sarah Bereza, the organist and Music Minister at First Congregational UCC in St. Louis, and started following her on social media. I was immediately drawn to the fact that she was a young, female church musician (a Minister of Music even!) in what is still a rather male dominated field. In one of the episodes of her podcast, Music and The Church, she mentioned that the person who chooses the hymns for a congregation is responsible for the hymn tradition of an entire generation. She emphasized that having traditions, employing repetition of hymns, and acknowledging congregational favorites is important because the hymns we know by heart are the songs that will serve as our anchors during the highs and lows of life. The beloved music traditions of High Holy Days keep people coming back year after year. But she cautioned that tradition, for the sake of tradition, can cause complacency and a missed opportunity to introduce music that can breathe new life into a congregation.
To the good people of Friedens UCC, I am sorry! If the person who chooses hymns is in fact responsible for this generation’s understanding of sacred song, your Director of Music Ministries is significantly under qualified for the position. I have no formal theological training, I do not have a degree in Sacred Music from a prestigious university, and I have not taken one single class on hymnody. But, I pray that my unwavering love for this congregation makes up for my lack of formal training. Following Dr. Bereza’s advice, over the past few years I have really tried to discern why we sing the hymns we do, which traditions serve as our anchors, and which need to evolve so we remain relevant in the years to come – this is especially true this year when we as a staff are deciding which pieces of our new normal we will carry forward and which elements of our pre-pandemic lives we want to re engage.
Our Palm Sunday music traditions at Friedens are grand, and I am in no hurry to change them, at least not this year! The familiar music creates palpable energy in the sanctuary as worship begins and the first notes of our Hymn of Adoration, All Glory, Laud, and Honor spill from the organ. The tender words from our traditional Palm Sunday Hymn of Reflection, Tell Me the Stories of Jesus, prepare our hearts to receive the message of Jesus and his love. Lead On O King Eternal ushers us out the door with words that prepare us to meet the highs and lows of holy week and the costs and joys of being disciples of Jesus Christ.
These three hymns are our tradition. They are the anchor for the highs of Jesus triumphant entry, all while knowing the upcoming lows of His sacrifice on the cross. These hymns are not, in my opinion, tradition for the sake of tradition. They encourage us to reach beyond the walls of Friedens Church, they are relevant today, and surprisingly not one of these hymns was written specifically for Palm Sunday.
The Latin text that All Glory, Laud, and Honor was derived from was originally composed as a 72 verse poem written in the 9th century. The author Theodulf, the Bishop of Orleans, wrote it from a jail cell where he was wrongly imprisoned for insurrection. He had lost everything. He lost his title and position. He lost all of his earthy goods, including the chapel he loved. He no longer had an audience with the imperial court. From his jail cell he penned this poem as a reflection on the one true emperor, the King of Kings, the Savior who he would never lose. All Glory, Laud, and Honor was translated into English and set to its familiar tune in England during the mid 1800’s. Ever since, this hymn has been part of Palm Sunday traditions around the world, and it is still relevant today, on this Sunday, when we are slowly beginning to emerge from the restrictions of the last 13 months that, at times, have felt like our own undeserved prison sentences.
It has been our tradition to use Tell Me the Stories of Jesus as our Hymn of Reflection on Palm Sunday. Though the third verse reads, “Into the city I’d follow the children’s band, waving a branch of the palm tree high in my hand; one of his heralds, yes, I would sing loudest hosannas, Jesus is King!”, it was not written to be a Palm Sunday hymn. It was actually written by a Sunday School teacher when his students eagerly asked him to tell countless stories of Jesus over and over again! In the last 13 months we have all seen the love of Jesus displayed in beautiful ways by our church family. We have been writing our own stories of sharing the love of Jesus Christ with meals and gifts that have been left on doorsteps, lawns that have been mowed and trees that have been trimmed, with the efforts of dedicated couples have delivered Sunday School materials to children so that they can continue to learn the stories of Jesus, albeit through Zoom instead of at Pastor Sarah’s feet. Even by staying home to keep others safe we shared the love of Jesus Christ. These are the modern day stories of Christ’s love, and years from now I will tell my grandchildren these stories of how Friedens Church shared the love of Jesus Christ during a worldwide pandemic!
Lead On, O King Eternal, the Hymn of Parting of our Palm Sunday tradition, was written as the processional hymn for the graduation ceremony of Andover Seminary in 1887. I love Richard Niell Donovan’s thoughts on the hymn, that might appear militant to some. “This hymn is really a prayer, a prayer for God’s guidance. It speaks of marching and “fields of conquest” and “battle song”, not because it celebrates war, but because it acknowledges the daily struggle in which good people must engage against evil. It looks forward to the celebration of victory, not with clashing swords and stirring drums, but with “deeds of love and mercy”, acknowledging that Christ calls us to conquer the world by demonstrating love and showing mercy rather than by using force.” This is a relevant prayer for guidance in a year full of polarized political views, socioeconomic gaps being forced wider by the ongoing pandemic, and an ever increasing need for social justice.
I’m not sure why these three hymns were chosen to be sung at Friedens on Palm Sunday all those years ago. Perhaps it is because our hymnal, with over 700 entries, has only two hymns dedicated specifically to Palm Sunday. Maybe they were chosen because they were favorite hymns of the Director of Music. They might have matched the sermon theme that year. Whatever the reason, I am pretty sure that I know why the tradition has continued, and I am certain that it is not tradition for the sake of tradition.
I believe that these hymns have become the music of our Palm Sundays because each year as the gloomy cold of Winter gives way to the bright warmth of Spring, we want to lift our hosannas to the One who has brought us out of the darkness and into the light!
I believe these hymns have become our tradition because as we prepare our hearts for our own journey to the cross, we want to lift up in song the stories of the good news of the gospel and give thanks for Jesus and His sacrificial love!
I believe these hymns have become our tradition because as we leave the walls of this church after the safety and comfort of our Holy Week experience within this community of faith, we need a prayer for strength and courage to leave this place and go out into the world to do the work of Jesus Christ!
Amen!